Items Included
- DJI Ronin 4D 4-Axis Cinema Camera 8K Combo Kit with DL PZ 17-28mm T3.0 ASPH Lens
- Ronin 4D Main Body
- DL Mount
- Ronin 4D RAW License Key
- TB50 Battery Mount
- TB50 Charging Adapter
- 8 x AC Power Cable
- Top Handle
- Handgrip Strap (Left)
- Handgrip Strap (Right)
- Hand Grip Extended Control Stick
- USB-A to USB-C Cable
- USB-C to USB-C High-Speed Data Cable
- X9 Counterweight (3.8 oz)
- Baseplate
- X9 Gimbal Base Cap
- DX Mount Body Cap
- DX Mount Lens Cap
- Ronin 4D Gimbal Base Cap
- 3 x 1/4″-20 Screw (10mm)
- Flathead Screwdriver
- Ball-End Hex Key (3mm)
- Ball-End Hex Key (2.5mm)
- Ball-End Hex Key (1.5mm)
- Ronin 4D Carrying Case
- Limited 1-Year Manufacturer Warranty
- Highly Integrated Modular Design
- Zenmuse X9-8K Gimbal Camera
- DJI DL PZ 17-28mm T3.0 Lens Included
- 4D RAW License Requires DJI Activation
- ProRes RAW to 8K75, 4K120|Raw HQ to 8K30
- Advanced 4-Axis Stabilization
- Up to 20,000′ Wireless Transmission
- 5.5″ 1000 cd/m² Touchscreen Display
- LiDAR Range Finder/Focus Module
- Extensive Product Ecosystem





- Left and right control handgrips
- LiDAR range finder
- Integrated 5.5″ monitor
- NOTE: Does not include the high-bright main monitor
- TB50 battery and charging adapter
- Top handle
- Baseplate
- Hard carrying case
- 7″ high-bright, touchscreen monitor
- Wireless video transmitter
- X9 focus motor
- 3-channel FIZ lens control unit
- Expansion plate with SDI, XLR, and timecode ports
- DJI Leica L and M lens mounts
- Third-party ARRI PL and Sony E lens mounts
- Support for the industry-standard ACES workflow provides easy compatibility with other cinema cameras.
- The DJI DCCS color science reproduces vivid, natural skin tones in a range of lighting conditions and creates looks that are compatible with ARRI footage.
- The full-frame Zenmuse X9-8Kcamera uses a proprietary chip for advanced processing and high-performance computing.

- Selectable Z-axis stabilization reduces unwanted vertical camera movement, especially during dollying moves.
- Z-axis stabilization is built into the camera; 4-axis stabilization in the gimbal.
- Tilt stabilization uses dual, symmetrical motors.
- Pan and X (roll) axes with additional stiffness buffering.
- Downward ToF (time of flight) sensor.
- Forward and downward-facing dual-vision sensors.
- Built-in IMU (inertial measurement unit) and barometer.
- New and improved stabilization algorithm.
- The D4’s DL lens mount supports full-frame capture with DJI’s current selection of lightweight, carbon fiber 18, 24, 35, and 50mm lenses.
- Interchangeable lens mounts are available for use with Sony E-mount or Leica M-mount lenses.
- Supports ultrawide, f/0.95 large-aperture, electronic zoom, macro, and anamorphic
- Up to 8K60 ProRes RAW in 17:9 full frame or 5.5K 60 fps ProRes RAW in 17:9 Super35.
- RAW activation required with DJI.
- Up to 8K30 ProRes 422 HQ in 17:9 full frame.
- Up to 8K75 ProRes RAW in 2.39:1 full frame.
- Up to DCI 4K60 ProRes 422 HQ or H.264 in 17:9 full-frame or Super35.
- Up to UHD 4K120 ProRes HQ, HQ LT, or H.264 in full frame.
- With Dynamic Range Expansion off: Dual native ISO 320/1600.
- With Dynamic Range Expansion on: Dual native ISO 800/4000.
- EI 200 to EI 6400.
- 14.7 stops of dynamic range produce nuanced imaging under a range of lighting conditions.

- LiDAR (light detection and ranging) system uses up to 43,200 ranging points within a 33′ range.
- Excellent focusing performance even in low-light environments.
- Focus pulling can be viewed graphically, thanks to a built-in depth meter.
- Intuitive and highly accurate focusing system.
- Modular LiDAR focusing module attached to the front of the D4 rig.
- Maintains focus, even when motion blur is produced by fast-moving subjects.
- Separately available focus motor for use with manual lenses.
- Continuous autofocus is compatible with ActiveTrack Pro, a boon for solo operators.
- The AMF function (Automated Manual Focus) combines the accuracy of manual focus with the ease of autofocus.
- Operators can grab the focus wheel of the right handgrip at any time to manually focus.
- Handgrip focus wheel uses dynamic damping to provide a physical feel for focus changes.
- Built-in ND.03 to ND2.7 filters let you easily adjust to quickly changing lighting conditions.
- Especially handy for outdoor shoots with changing cloud cover.
- Motorized filter system.
- DJI’s ActiveTrack Pro features combine continuous autofocusing with composition adjustment for professional-looking tracking shots out of the gate.
- ActiveTrack Pro is based on computer vision, deep learning technology, and the computing power of DJI’s CineCore 3.0 imaging system.
- Right-hand grip has a focus wheel that doubles as a control for main camera adjustments (menus, exposure, etc.).
- Left-hand grip has a full-range joystick to control pan/tilt; useful when adjusting headroom and more during follow mode.

- Top-notch stabilization in a lightweight form.
- Ideal for both solo operators as well as assistant-accompanied shoots.
- Designed to counter footsteps from inexperienced gimbal shooters.
- Works equally well with a single grip, dual grips, shoulder supported, or tripod mounted.
- Sport mode is available with the touch of a button, accommodating faster-paced action.
- Use in standard, underslung, jib, and crane setups.
- Requires a ProSSD 1TB drive (included) to capture raw footage.
- USB-C port for external recording; no reader needed to offload footage.
- Integrated CFexpress Type-B card slot.
- 5.5″ 1920 x 1080 monitor.
- 1000 cd/m² display.
- Touchscreen control.
- Integrated stereo microphones capture dual-channel 24-bit audio.
- Built-in 3.5mm audio input port and XLR port via expander plate.
- Uses the same TB50 intelligent batteries as the Ronin 2 and Inspire 2.
- Each battery provides up to 2.5 hours of capture time.
- Batteries charge fully in approximately 1.5 hours.
- Support auto-heating for cold weather use.
- AC adapter for uninterrupted shooting.
Jay –
This camera is amazing, however it is very disappointing to me that there is no focus assist when shooting higher frame rates than 60 frames per second. The high speed footage looks excellent but auto focus is not super usable on products when shooting 120 famous per second. Because there are so many frames and they are slowed down during playback, you can see noticeable focus shifts when using auto focus. Manual focus becomes nearly impossible because you’re flying blind, in these situations you would need a second camera operator using the remote operated high bright monitor, pulling focus, possibly even a larger monitor than that.. if DJI could just give focus assist, even if it was only reading every other frame when in high frame rates, it would be very very helpful to have.
Jay –