Items Included
- Oberheim TEO-5 Analog Synthesizer Desktop Module
- Power Cord
- Limited 1-Year Manufacturer Warranty
- 5-Voice Pure-Analog Polyphony
- Two VCOs + Sub Oscillator per Voice
- Classic State-Variable SEM Filter
- Two DADSR Envelope Generators
- 64-Step Polyphonic Sequencer
- Arpeggiator
- 256+ Factory Programs + 256 User Slots
- Reverb, Multi-Effects, and Overdrive
Explore new sonic frontiers with the Oberheim TEO-5 Desktop Module, a compact and affordable 5-voice polyphonic analog synthesizer bursting with inspiration. Dive into legendary analog warmth reimagined with modern synthesis features and sculpt your sound with thru-zero FM pulsing though the iconic SEM filter and classic Oberheim FX. Compact and space-saving, the desktop TEO-5 integrates effortlessly into your synth setup, offering all the sonic power and hands-on control of its acclaimed keyboard sibling in less than half the size.
The TEO-5 captures the secrets of the OB-X, Four Voice, and TVS, distilling their signature sound-shaping capabilities into an instrument for everyone. Notable features include two VCOs plus a sub oscillator, a classic state-variable SEM filter, two DADSR envelopes, two LFOs, and a vintage knob that adds voice-to-voice variations in component behavior. You’ll also be impressed with the polyphonic sequencer, arpeggiator, and built-in effects including a dedicated reverb, overdrive, and a digital multi-FX engine with chorus, delay, flanger, phaser, ring mod, and more. From studio to stage, TEO-5 is your sonic passport—a gateway to the Oberheim legacy and priced to unleash your own.
- 5-Voice VCO/VCF-based polysynth
- Two VCOs and sub oscillator per voice
- Simultaneously selectable waveshapes for each oscillator: triangle, saw, variable pulse
- Oscillator 1 syncs to Oscillator 2
- Dedicated front-panel X-Mod control for through-zero FM
- Switchable key tracking per oscillator
- White-noise generator accessible in prefilter mixer
- Classic SEM filter with selectable Bandpass mode
- State knob continuously morphs from Low-Pass through Notch to High-Pass
- Bipolar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking
- Five-stage (DADSR) envelope generator
- Velocity modulation of envelope amount
- Freely assignable modulation destinations
- Five-stage (DADSR) envelope generator
- Velocity modulation of envelope amount
- Five wave shapes: Triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
- LFO tempo sync
- Initial amount setting
- Freely assignable modulation destinations
- Recreates vintage synth characteristics by adding voice-to-voice variations in component behavior
- Channel (mono) aftertouch with bipolar amount
- Freely assignable modulation destinations
- Master clock with tap tempo
- BPM control and display
- MIDI clock sync
- Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
- One, two, or three octave range
- Up, down, up/down, random, and assign modes
- One dedicated reverb with damping, predelay, decay, and tone
- One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, Oberheim phase shifter and ring modulator emulations, vintage rotating speaker, distortion, high-pass filter, and Lo-Fi
- Dedicated Overdrive effect
- Hold switch latches held notes on
- Polyphonic portamento (glide)
- Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes to control voice triggering priority
- Manual switch: when on, the front panel is live; what you see is what you hear
- 256 user and 256 factory programs in 32 banks of 16 programs each
- Direct program access including single-button access to the current set of 16 programs
- Left and right audio outputs (2 x 1/4″ phone jack)
- Headphone output (stereo, 1/4” phone jack)
- MIDI in, out, and thru ports
- USB for bidirectional MIDI communication
- Volume expression pedal input
- Sustain footswitch input






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